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No.9445 Meiji-mura Village Museum fabrics for kimono seat
| It is the inside of the fabrics for kimono seat of Meiji-mura Village Museum. This playhouse to leave the remains of the tradition architecture since the Edo era was built near Ebisu Shrine of Ikeda-shi, Osaka in the Meiji early years, and it was moved to the bank of a river of the Nishimoto town wild boar name river of same Ikeda-shi to (1892) in 1892, and the name was checked with fabrics for kimono seat. Various things such as young intellectuals' theater, a new school, rakugo, naniwabushi recitation, storytelling, a comic dialogue were played including Kabuki of the barnstorming here, but it was used for the speech society of a constitutional government and the socialism of Yukio Ozaki and Shusui Koutoku. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 5571 x 3714Pixels |
No.9444 Meiji-mura Village Museum fabrics for kimono seat
| It is the fabrics for kimono seat of Meiji-mura Village Museum. This playhouse to leave the remains of the tradition architecture since the Edo era was built near Ebisu Shrine of Ikeda-shi, Osaka in the Meiji early years, and it was moved to the bank of a river of the Nishimoto town wild boar name river of same Ikeda-shi to (1892) in 1892, and the name was checked with fabrics for kimono seat. Various things such as young intellectuals' theater, a new school, rakugo, naniwabushi recitation, storytelling, a comic dialogue were played including Kabuki of the barnstorming here, but it was used for the speech society of a constitutional government and the socialism of Yukio Ozaki and Shusui Koutoku. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,21 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 5616 x 3744Pixels |
No.9371 Meiji-mura Village Museum Kinmochi Saionji another house
| It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 5616 x 3744Pixels |
No.9370 Meiji-mura Village Museum Kinmochi Saionji another house
| It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 5616 x 3744Pixels |
No.9369 Meiji-mura Village Museum Kinmochi Saionji another house
| It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 5616 x 3744Pixels |
No.9368 Meiji-mura Village Museum Kinmochi Saionji another house
| It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 5616 x 3744Pixels |
No.9367 Meiji-mura Village Museum Kinmochi Saionji another house
| It is the Kinmochi Saionji another house of Meiji-mura Village Museum. It is the another house which was able to be built in the Gulf of Suruga depths, the shore of Okitsu close to Shimizu Port in 1920 in the Christian era after Kinmochi Saionji withdrew from the front line of the politics. It is the pure Japanese style building which let a light copper sheet turn to the edge of the eaves by wooden crosspiece tile-roofing, but a device is seen in a roof truss so that it is endured strong sea breeze and hands a beam diagonally and sets the stability sprain of the reinforcing rod on the cross. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,26 |
|---|---|
| Location: | Japan / Aichi Prefecture |
| Size: | 5616 x 3744Pixels |
No.8885 Hachiman-gu Shrine Hongu
| It is great stone stairway and Motomiya of Hachiman-gu Shrine. There was the fanwise-topknot hairstyle of the left for nearly 1,000 years years old, but it isn't fallen down now. It is an opening that Hachiman-gu Shrine enshrined Iwashimizu Hachiman shrine of Kyoto where Yoriyoshi Minamotono prayed for protection on the occasion of taking the field as a patron saint of Genji in 1063 in the Christian era in the Yui beach. Yoritomo Minamoto moved it to the current ground in 1180 in the Christian era. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Kanagawa Prefecture |
| Size: | 3744 x 5616Pixels |
No.6827 The sandbar of the Shiroyama Hiji peak
| It is the eruption way of speaking of a world heritage rising in the sea, a sandbar near the Shiroyama Hiji peak. Shiroyama Hiji peak is a colossalness rocky mountain enacted by bottom of the sea eruption 100,000 years registered with world natural heritage of the UNESCO as [a volcanic island and lava cave group of Cheju] ago. At a diameter of 600m, it is surrounded a rotation at a cliff of the height approximately 100m, and the eruption way of speaking is totally seen like a fortress. | |
| World Heritage | Jeju Volcanic Island and Lava Tubes |
|---|---|
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
| Location: | Republic of Korea / Jeju Island |
| Size: | 5616 x 3744Pixels |
No.6826 The sandbar of the Shiroyama Hiji peak
| It is the eruption way of speaking of a world heritage rising in the sea, a sandbar near the Shiroyama Hiji peak. Shiroyama Hiji peak is a colossalness rocky mountain enacted by bottom of the sea eruption 100,000 years registered with world natural heritage of the UNESCO as [a volcanic island and lava cave group of Cheju] ago. At a diameter of 600m, it is surrounded a rotation at a cliff of the height approximately 100m, and the eruption way of speaking is totally seen like a fortress. | |
| World Heritage | Jeju Volcanic Island and Lava Tubes |
|---|---|
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
| Location: | Republic of Korea / Jeju Island |
| Size: | 5616 x 3744Pixels |
No.5742 Tatsumi DAIMYOJIN
| Tatsumi (Tatsumi Shrine) is the Imperial Palace from Tatsumi (southeast) located in the Gion and flower-savvy middle of the lane and Shirakawa to take Tatsumi nearby bridge. Gion thick of the people who believe the ceremony's progress accomplishment. | |
| Camera: | Canon EOS-1Ds Mark II , Distagon 21mm F2,8 |
|---|---|
| Location: | Japan / Kyoto |
| Size: | 2496 x 1664Pixels |
No.5303 Ancient Chinese bronze ware
| China's world heritage, Forbidden City Seung Miyauti Inui, which was exhibited in Bronze. Around 1000 BC, the early Western Zhou instruments, bells Dog laps. Kim Mun-text of the original Chinese characters on them. But nearly 3,000 years after the current letter is read as normal, it's been cut off the flow of cultural feel. | |
| World Heritage | Imperial Palaces of the Ming and Qing Dynasties in Beijing and Shenyang |
|---|---|
| Camera: | Canon EOS-1Ds Mark II , SIGMA MACRO 70mm F2.8 EX DG |
| Location: | China / Beijing |
| Size: | 2219 x 3096Pixels |
No.5302 Ancient Chinese bronze ware
| China's world heritage, Forbidden City Seung Miyauti Inui, which was exhibited in Bronze. Around 900 BC, the Western Zhou medium-term instruments, . Kim Mun-text of the original Chinese characters on them. But nearly 3,000 years after the current letter is read as normal, it's been cut off the flow of cultural feel. | |
| World Heritage | Imperial Palaces of the Ming and Qing Dynasties in Beijing and Shenyang |
|---|---|
| Camera: | Canon EOS-1Ds Mark II , SIGMA MACRO 70mm F2.8 EX DG |
| Location: | China / Beijing |
| Size: | 3328 x 4992Pixels |
No.5301 Ancient Chinese bronze ware
| China's world heritage, Forbidden City Seung Miyauti Inui, which was exhibited in Bronze. Around 800 BC, the late Western Zhou instruments, bells journey. Kim Mun-text of the original Chinese characters on them. But nearly 3,000 years after the current letter is read as normal, it's been cut off the flow of cultural feel. | |
| World Heritage | Imperial Palaces of the Ming and Qing Dynasties in Beijing and Shenyang |
|---|---|
| Camera: | Canon EOS-1Ds Mark II , SIGMA MACRO 70mm F2.8 EX DG |
| Location: | China / Beijing |
| Size: | 3328 x 4992Pixels |
No.4435 The row of stone lantern baskets
| It is a world heritage, the scenery of the approach to a shrine close to Nigatsu-do Hall of Todai-ji Temple of Nara. Stone lantern baskets form a line and become the unique scenery. | |
| World Heritage | Historic Monuments of Ancient Nara |
|---|---|
| Camera: | Canon EOS-1Ds Mark II , EF 135mm F2L |
| Location: | Japan / Nara Prefecture |
| Size: | 4992 x 3328Pixels |